{"id":11,"date":"2009-09-16T23:29:33","date_gmt":"2009-09-17T06:29:33","guid":{"rendered":"http:\/\/angryweasel.com\/blog\/?p=11"},"modified":"2009-10-16T23:29:57","modified_gmt":"2009-10-17T06:29:57","slug":"give-em-what-they-want","status":"publish","type":"post","link":"https:\/\/angryweasel.com\/blog\/give-em-what-they-want\/","title":{"rendered":"Give &lsquo;em what they want"},"content":{"rendered":"<p>Last night, I was sitting in bed reading the latest issue of <a href=\"http:\/\/www.tapeop.com\/\" target=\"_blank\">TapeOp<\/a> (music recording magazine). I used to be moderately involved in recording music, but these days I mostly just follow the trends and try to stay sharp. TapeOp has a lot of interviews with recording engineers and producers, and it\u2019s great to hear what their thoughts were when they made some of their more famous recordings.<\/p>\n<p>I feel sort of stupid that it took me until last night to notice (yet another)\u00a0 interesting parallel with music and software. Recording is mostly a waterfall process. You record, then you mix, then you master. Some iteration is possible \u2013 you can record one song or a whole album before you mix \u2013 but most of the time, you finish recording, then you mix. When you\u2019re dong mixing, you master. What\u2019s interesting, is that there are a massive number of opinions on how to do each of these activities. Which mics are \u201cbest\u201d? What rooms are best for recording a jazz combo? Do you record rock guitars with mics perpendicular, or at an offset? When should you use multiple mics? Where do you add eq? How loud do you make the vocals.<\/p>\n<p>Then, there\u2019s mastering \u2013 which in my opinion is awful on almost every pop or rock recording made in the last 10 years. Mastering (IMO) ruined the latest Metallica and Springsteen albums (and probably many others that I haven\u2019t bothered listening to).<\/p>\n<p>Whatever I think, the albums sold millions, and were (AFAIK, critically acclaimed). You know why \u2013 because despite the mastering \u2013 despite the fact they may have not used the best microphones or mic placements possible, <strong><em>it\u2019s what the customer wanted. <\/em><\/strong>You can take the most well-rehearsed band in the world \u2013 use top notch equipment and fantastic production to recreate their sound exactly. You can add just the right punch and pop and remove any harshness and <em>engineer<\/em> the best recording ever.<\/p>\n<p>But it doesn\u2019t mean it will sell. Customers want something different, and if you don\u2019t give them what you want, all you have is something that <em>you<\/em> are proud of, and not something that puts dinner on the table. Along the same lines, you can\u2019t ignore the technical part of the process. Engineering quality still makes a difference, as long as you\u2019re doing the right thing.<\/p>\n<p>Same thing as my current day job.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Last night, I was sitting in bed reading the latest issue of TapeOp (music recording magazine). I used to be moderately involved in recording music, but these days I mostly just follow the trends and try to stay sharp. TapeOp has a lot of interviews with recording engineers and producers, and it\u2019s great to hear&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-11","post","type-post","status-publish","format-standard","hentry","category-allposts"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/angryweasel.com\/blog\/wp-json\/wp\/v2\/posts\/11","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/angryweasel.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/angryweasel.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/angryweasel.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/angryweasel.com\/blog\/wp-json\/wp\/v2\/comments?post=11"}],"version-history":[{"count":0,"href":"https:\/\/angryweasel.com\/blog\/wp-json\/wp\/v2\/posts\/11\/revisions"}],"wp:attachment":[{"href":"https:\/\/angryweasel.com\/blog\/wp-json\/wp\/v2\/media?parent=11"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/angryweasel.com\/blog\/wp-json\/wp\/v2\/categories?post=11"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/angryweasel.com\/blog\/wp-json\/wp\/v2\/tags?post=11"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}